You For Me For You | BCA Plaza Theatre

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You for Me for You

Written by Mia Chung

Produced by Company One at the BCA Plaza Theatre

Directed by M. Bevin O’Gara

Scenic Design by Jon Savage

Lighting Design by Annie Wiegan

Costume Design by Adrien Carlile

Sound Design by Brendan F Doyle

Images Courtesy of Company One

This audio sample is a mixdown of the music and sound effects from the second scene of the play, where the sisters go to a doctor in their small village in North Korea. Again and again the sisters go to the doctor’s office trying to make him see they are starving, until things take a sinister turn. The scene begins with the sister’s theme played on the fruit box guitar as bright fluorescent lights blink on and a close recording of a fluorescent ballast is played through the speakers. The time between each visit to the doctor’s office is separated by a whirl of lights, the whining of servo motor, and punctuated by the sound of a metal stool ringing as someone sits down on the unsteady seat. Each visit increases the volume of the fluorescent buzz, and when the doctor reveals himself as a not just a willfully obtuse puppet of the system, but a cruel man in his own right, the buzz is replaced by the ballast of a flickering light, representing the descent into an even worse fate than the harsh clinical environment, one with a whole other set of dangers. The sisters escape from the man that should have been helping them, as their theme is played again, fading into the sounds of their rice paddy, full of frogs providing a comforting natural counterbalance to the sterile and hostile environment of the clinic.


Sisters seeking solutions while starving

Sisters seeking solutions while starving

Production Overview

This play tells the story of two sisters who struggle to free themselves from their perilous existence in North Korea to escape to America. Things go awry as they often do, and one sister is caught in the space between, while the other is thrust alone into a terrifying and disorienting new world of New York City. The show featured immersive soundscapes done with surround sound to bring the audience along for a disorienting first visit to Grand Central Station, through the chaotic streets of the city, and then to the quiet eye of the storm in Central Park. Natural sounds were also used to represent familiar comforts of a rural home: the hooting of owls, the chirp of crickets, and the boisterous ribbiting of frogs.


Musical Approach

The play was scored with a bespoke instrument, a Fruit Box Guitar. This was used to pluck out patterns of somber, quickly decaying tones, tuneable to a certain extent, but rarely maintaining any concrete pitch for very long.

Fruit box guitar

Fruit box guitar